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Laura Hurcomb

  • Home
  • Photography
    • Fine Art Photography
    • Alternative Process
    • Comissioned
    • Portraiture
  • Fine Art
    • Drawing
    • Painting
    • Sculpture
  • About Artist
  • Meditation
  • Thoughts
  • Stuff you want!!!
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Ravenwolf 1997 on the river

Ravenwolf 1997 on the river

My Dashing Darling~for Richard

February 12, 2018

~for Richard Darrell Halvorsen 6-12-63 to 5-8-04

 

MO GHILE MEAR (My Dashing Darling)

Traditional; arr.: Paddy Moloney English lyric translations by Sean MacReamoinn

 

'Se/ mo laoch, mo Ghile Mear

'Se/ mo Chaesar Gile Mear

Suan na/ se/an ni/ bhfuaireas fe/in

O/ chuaigh i gce/in mo Ghile Mear

 

Grief and pain are all I know

My heart is sore

My tears a'flow

We saw him go.

.. No word we know of him, ochon

 

'Se/ mo laoch, mo Ghile Mear

'Se/ mo Chaesar Gile Mear

Suan na/ se/an ni/ bhfuaireas fe/in

O/ chuaigh i gce/in mo Ghile Mear

 

A proud and gallant chevalier

A high man's scion of gentle mean

A fiery blade engaged to reap

He'd break the bravest in the field

 

'Se/ mo laoch, mo Ghile Mear

'Se/ mo Chaesar Gile Mear

Suan na/ se/an ni/ bhfuaireas fe/in

O/ chuaigh i gce/in mo Ghile Mear

 

Come sing his praise as sweet harps play

And proudly toast his noble frame

With spirit and with mind aflame

So wish him strength and length of day

 

'Se/ mo laoch, mo Ghile Mear

'Se/ mo Chaesar Gile Mear

Suan na/ se/an ni/ bhfuaireas fe/in

O/ chuaigh i gce/in mo Ghile Mear

 

--------------------------------------------------------------------------------

 

A literal translation

 

Once I was a gentle maiden,

But now I am a spent, worn-out widow,

My consort strongly plowing the waves

Over the hills and far away.

 

He is my hero, my gallant darling,

He is my caesar, a gallant darling;

Ive found neither rest nor fortune

Since my gallant darling went far away.

 

Every day I am constantly enduring grief,

Weeping nitterly and shedding tears,

Because my lively lad has left me

And no news is told of him - alas!

 

The cuckoo does not sing cheerfully at noon

And the sound of hounds is not heard in nut-tree woods

Nor summer morning in misty glen

Since my lively boy went away from me.

 

Noble, proud young horseman,

Youth without gloom, of pleasant countenance,

A swift-moving fist, nimble in a fight,

Slaying the enemy and smiting the strong.

 

Let a strain be played on musical harps,

And let many quarts be filled on the table,

With high spirit, without fault, without gloom,

That my lion may receive long life and health.

 

Gallant darling for a while under sorrow,

And ireland completely under black cloacks,

I have found neither rest nor fortune

Since my gallant darling went far away.

 

Lyrics:

MO GHILE MEAR (Our Hero)

Traditional; arr.: Paddy Moloney

English lyric translations by Sean MacReamoinn

https://www.youtube.com/watch?v=K4gjc8p7qzo

Ravenwolf and Logan 1992

Ravenwolf and Logan 1992

Ravenwolf Jordan and me 1984 

Ravenwolf Jordan and me 1984

 

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THOUGHTS

This page contains writings, musings, and poetry by Laura Hurcomb all rights reserved.


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 On going projects:    A Mile in her shoes and A Woman of a Certain Age
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I have been trying on and documenting shoes that have been and/or will again be worn by other people.

I was recently informed that women of a certain age and body type are just not physically desirable. (mine) Because of this fact we should just accept our new role and save other's from having to suffer through our selfies.... and our bodies.
My reaction was to start creating a two part related body of work looking at the expectations of aging and roles.
One part is based on a folk saying that hung beside my grandmother's kitchen table "don't' judge a person until you've walked a mile in their moccasins" I want to see if a shoes' history could help me better understand this persons point of view by "walk a mile" in other's shoes. To explore this ideas I've been photographing myself wearing used shoes on site in second had shops with whatever is there. I figured the length of my foot x 2 to get the number of shoes I have to wear and photograph to reach a "mile."
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The other part is simply selfies including nude studies exploring what my "new role" could be as a widowed woman of a certain age. It contains a variety of images from sexy to grandmotherly... if there is a distinction there.
At this both studies are intertwined and are still in a digital form. I image them printed and displayed in relatively small printed forms to bring the viewer into an intimate distance with an older woman. Which maybe they have never experienced before

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